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lottery777 is On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows. By the time we went about again, darkness had fallen. We were now to windward of the Snark, and the squall was howling. In came the jib, and down came the mainsail, all but a patch of it the size of a pillow-slip. By an accident we missed the Snark, which was riding it out to two anchors, and drove aground upon the inshore coral. Running the longest line on the Snark by means of the launch, and after an hour’s hard work, we heaved the cutter off and had her lying safely astern..

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🎮 And, oh, there is one other excellence of the Snark, upon which I must brag, namely, her bow. No sea could ever come over it. It laughs at the sea, that bow does; it challenges the sea; it snorts defiance at the sea. And withal it is a beautiful bow; the lines of it are dreamlike; I doubt if ever a boat was blessed with a more beautiful and at the same time a more capable bow. It was made to punch storms. To touch that bow is to rest one’s hand on the cosmic nose of things. To look at it is to realize that expense cut no figure where it was concerned. And every time our sailing was delayed, or a new expense was tacked on, we thought of that wonderful bow and were content. “It has never happened,” was the answer. “It is the custom to give and give back again.”!

🏆 The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are. All white men in the Solomons catch yaws, and every cut or abrasion practically means another yaw. Every man I met had had them, and nine out of ten had active ones. There was but one exception, a young fellow who had been in the islands five months, who had come down with fever ten days after he arrived, and who had since then been down so often with fever that he had had neither time nor opportunity for yaws.!

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